You're Pretty Strange...
My life needs to be a Wes Anderson film.
Downside School, Purley, Choir Of - Songs from
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Moonrise Kingdom - Songs from “Friday Afternoons”, Op.7 - Cuckoo!

Alexandre Desplat - The Heroic Weather-Conditions of the Universe, Part 2: Smoke/Fire
[Flash 9 is required to listen to audio.]
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The Heroic Weather-Conditions of the Universe, Part 2: Smoke/Fire” by Alexandre Desplat.


While Only God Forgives isn’t a sequel to Drive, “it feels like a shared universe. There are a few Drive touchstones in the footage: long tracking shots, liberal use of neon lighting (in this case purple and green) and a silent, but violent Ryan Gosling.” Refn himself described the project as a thriller produced as a Western set in the Far East, with a modern cowboy hero.

While Only God Forgives isn’t a sequel to Drive, “it feels like a shared universe. There are a few Drive touchstones in the footage: long tracking shots, liberal use of neon lighting (in this case purple and green) and a silent, but violent Ryan Gosling.” Refn himself described the project as a thriller produced as a Western set in the Far East, with a modern cowboy hero.

Why is it so hard to care?!?!?!?!

I see better from a distance.



How can a girl say again, “I do not want to be respectable because respectable girls are not attractive,” and how can she again so wisely arrive at the knowledge that “boys do dance most with the girls they kiss and had asked papa?” Perceiving these things, the Flapper awoke from her lethargy of sub-deb-ism, bobbed her hair, put on her choicest pair of earrings and a great deal of audacity and rouge and went into battle. She flirted because it was fun to flirt and wore a one-piece bathing suit because she had a good figure, she covered her face with powder and paint because she didn’t need it and she refused to be bored chiefly because she wasn’t boring. She was conscious that the things she did were the things she had always wanted to do. Mothers disapproved of their sons taking the Flapper to dances, to teas, to swim and most of all to heart. She had mostly masculine friends, but youth does not need friends — it needs only crowds….— Excerpt from Zelda’s essay “Eulogy on the Flapper” which was published by Metropolitan Magazine in June 1922. The article was accompanied by a sketch of Zelda done by Gordon Bryant (seen above).

How can a girl say again, “I do not want to be respectable because respectable girls are not attractive,” and how can she again so wisely arrive at the knowledge that “boys do dance most with the girls they kiss and had asked papa?” Perceiving these things, the Flapper awoke from her lethargy of sub-deb-ism, bobbed her hair, put on her choicest pair of earrings and a great deal of audacity and rouge and went into battle. She flirted because it was fun to flirt and wore a one-piece bathing suit because she had a good figure, she covered her face with powder and paint because she didn’t need it and she refused to be bored chiefly because she wasn’t boring. She was conscious that the things she did were the things she had always wanted to do. Mothers disapproved of their sons taking the Flapper to dances, to teas, to swim and most of all to heart. She had mostly masculine friends, but youth does not need friends — it needs only crowds….

— Excerpt from Zelda’s essay “Eulogy on the Flapper” which was published by Metropolitan Magazine in June 1922
. The article was accompanied by a sketch of Zelda done by Gordon Bryant (seen above).


Boris Karloff

Boris Karloff


In 1944, LIFE’s Alfred Eisenstaedt captured a private moment repeated in public millions of times over the course of the war: a guy, a girl, a goodbye — and no assurance that he’ll make it back. By war’s end, more than 400,000 American troops had been killed.
See more photos here.

In 1944, LIFE’s Alfred Eisenstaedt captured a private moment repeated in public millions of times over the course of the war: a guy, a girl, a goodbye — and no assurance that he’ll make it back. By war’s end, more than 400,000 American troops had been killed.

See more photos here.

A very young Marilyn Monroe, 1948

A very young Marilyn Monroe, 1948